tenlittlebullets: (winter soldier)
Ten Little Chances to be Free ([personal profile] tenlittlebullets) wrote2014-04-21 08:53 pm

on cap 2, violence, sex, and fight choreography

(Archived from a Tumblr post at http://shinelikethunder.tumblr.com/post/83435224625/mumblingsage-roboclaws-lets-talk-about-the)

roboclaws:
let’s talk about the winter soldier.

let’s talk about posthumanism and body horror and the kind of thorough desensitisation that’s almost orwellian in its completeness. let’s talk about how the winter soldier has no concept of self or identity, how he clearly doesn’t think of himself as a person. let’s talk about him being desensitised not only to the violence he perpetuates, but also to the violence done to him.

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#i’m so glad america has seen the movie so we can all talk about the movie #now talk to me about violence and guns and knives and penetrative wounds #as a substitute for sex or sexual dysfunction


YES LET’S

Remember the thing in Pacific Rim where the sparring scene worked so well because it was filmed like a sex scene? Yeah, please tell me I’m not the only one who thought Winter Soldier was like two and a half hours of that only with actual stab/gunshot wounds and the brutality ramped up to eleven. IT WAS HOT. It was hot because everyone was equally matched and fighting as hard as they could and the fight choreography was beautiful. It was hot because they all kept fighting despite the damage they were doing to each other’s bodies. When the Winter Soldier pays Natasha back for fucking up his metal arm by literally putting another bullet through her, it could’ve gone straight to some boring damsel in distress bullshit where she’s incapacitated as soon as she takes any damage (with all the weird misogynist undertones that entails if we’re talking about sexualized, particularly penetrative, violence). But no, she takes cover and bides her time and pulls herself together long enough to save Steve’s dumb ass when he’s about to get himself killed. And Steve’s final showdown with the Winter Soldier, with all the grievous bodily harm inflicted on both sides… this is a film where being able to wound somebody is a form of intimacy, because nobody else has the skill or knowledge of your weaknesses to get close enough.